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Expressionism: A Revolution in German Art

Формат:      Страниц 304
     твердый переплет
Автор:
Elger D.    
Издательство:
Taschen    
Год:2018
Цена:
2744 руб
Количество
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In this comprehensive TASCHEN collection, director of the Gerhard Richter Archive Dietmar Elger gathers the many artists and elements of this urgent, scattered, complex movement into one authoritative overview of its protagonists, principles, and essential role in 20th-century modernism. Anti-imperialist, they were dispersed, shattered, and depleted by the horrors of the First World War, and rallied their efforts only to be officially erased by the Nazi “Degenerate Art” exhibition of 1937. Emerging at the dawn of the 20th century, they railed against Christian and bourgeois values as much as rampant urban industrialization. The result is an expansive, inclusive, dependable digest of a vivid, often violent mode of expression, and the yearning and unease behind its frenzied paintwork. Finding a critical calm amid the frenzy of color and distortion, the book distills Expressionism’s leading collectives, Die Brü cke and Der Blaue Reiter, as well as its regional characteristics across its Berlin and Munich hubs, and its North German, Rheinland, and Viennese variants. Along the way, we compare and contrast themes and stylistic choices as this dispersed group of artists wrestled with their modern industrial reality. We find luminous streaks from Wassily Kandinsky, and the sickly hues of Ernst Ludwig Kirchner, the futurist facets of Franz Marc, and a partial Impressionist throwback in the gaudy dabs of Emil Nolde. We meet fat faces, tired faces, and faces like African masks. We walk into seedy bars with bloated old men, and then enter a claustrophobic yellow room occupied by an awkwardly posed nude. We are crushed in a cacophony of city sound and smoke, and then left alone with woods, a lake, and silence. Spanning this richness and range in Expressionist output, Elger features such well-known figures as Beckmann, Kandinsky, Kirchner, Kokoschka, Nolde, Schiele, while taking care to present inadequately studied artists such as Conrad Felixmü ller, Ludwig Meidner, and Marianne von Werefkin. German Expressionists were uneasy and angry.
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Abstract Expressionism Taschen Hess B.
"Abstract expressionism" refers to the non-representational use of form and color as a means of expression that emerged in America in the 1940s, largely thanks to the innovative work of Arshile Gorky.
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New York Figurative Expressionism Книга по Требованию Lambert M. S.
New York Figurative Expressionism of the 1950s represented a trend where "diverse New York artists countered the prevailing abstract mode to work with the figure. " According to Judith E. Stein, During the war years and into the fifties, the general public was to remain highly suspicious of abstraction, considered by many as un-American.
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Abstract Expressionism Taschen Hess B.
Considered the first art movement originating in the Americas to have a worldwide influence, abstract expressionism spawned two very different sub-categories: action painting (exemplified by Willem de Kooning and Jackson Pollock) and color field painting, made most famous by Mark Rothko.
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Молочный гриб можно использовать для похудения, восстановления микрофлоры, очищения организмаМолочный гриб можно использовать для похудения, восстановления микрофлоры, очищения организма

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