The book Hidden Track investigated this development in 2005 and portrayed it in its breadth for the first time. Because its topical content is compiled in a way that highlights the interesting multi-disciplinary interactions between the various works, Tactile also offers inspiration for creatives in fashion, lifestyle and art. Now, Tactile shows how graphic design is moving into three-dimensional objects and products and presents graphic design that works with space – or the perception of space. They are challenging existing design principles and defining them anew. With its insight into this experimental field of graphic design, Tactile targets young, progressive designers as well as professionals from the fields of advertising, architecture and interior design. Tactile proves that spatial innovation in graphic design is not limited to personal work or artistic endeavours for exhibition, but is being sought out more and more often by commercial clients, for example in store design. Today, the most progressive designers are working at the intersection of various creative disciplines. Many designers from different areas are choosing to no longer work exclusively in two dimensions and are instead dealing intensively with space, material and physical products. The book focuses less on murals than on products, objects, installations and collage that demonstrate how designers are developing and implementing their ideas spatially from the very outset of a given project. New developments occur when boundaries are crossed.
Tactile. High Touch Visuals
|Формат:|| Страниц 208|
Die Gestalten Verlag
Commercial pho ography Commercial pho ographic images are a major i gredie of our visual life, assimila ed from magazi es, hoardi gs a d such co ex s as brochures, ca alogues, cale dars, packagi g a d poi -of-sale promo io al ma erial. Commercial pho ography hrives as a mea s of crea i g highly polished images of a s ylized, glamourized a d idealized view of he World i order o sell a produc or a service. he major ca egories of commercial pho ography are adver isi g i i s cou less guises, i cludi g produc pho ography a d pho o-illus ra io , fashio , beau y a d cer ai ca egories of pho ography which are ei her repor age or aspire o be fi e ar , ye which ca be fasci a i g social docume s of co siderable aes he ic quali y. Irvi g Pe has co i ued o be a mas er i each of hese ge res a d has se s a dards o which ma y aspire. His career has spa ed for y years, duri g which his work, from his early fashio a d s ill-life composi io s o curre s ill-life produc s udies such as his series for he cosme ics ma ufac urers Cli ique, has show a i imi able visio a d co sis e aes he ic rigour.