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| | |  | Наименование: | The Twentieth-Century Rural School (1920) | Формат: | Страниц 252 мягкая обложка | Автор: | Edward E.H. | Издательство: | Книга по Требованию | Год: | 1920 | Цена: | | | |
| Книга представляет собой репринтное издание 1920 года (издательство "Indianapolis, The Bobbs-Merrill company"). Несмотря на то, что была проведена серьезная работа по восстановлению первоначального качества издания, на некоторых страницах могут обнаружиться небольшие "огрехи": помарки, кляксы и т.п.
Проблемы последствий процесса концентрации американских СМИ в работе Бена Багдикяна "Монополия... ЮЖНЫЙ ФЕДЕРАЛЬНЫЙ УНИВЕРСИТЕТ ФАКУЛЬТЕТ ФИЛОЛОГИИ И ЖУРНАЛИСТИКИ КАФЕДРА ИСТОРИИ СМИ Реферат на тему: Проблемы последствий процесса концентрации американских СМИ в работе Бена Багдикяна «Монополия средств информации»студентки 1 группы V курса Бабовниковой Маргариты преподаватель: Виниченко В.М. Ростов-на-Дону 2009 Содержание1. Биографическая справка 2. «Монополия средств информации» 3. Проблемы последствий процесса концентрации американских СМИ 4. Список использованной литературы Биографическая справка Автор «Монополии средств информации» ( he Media Mo opoly, 1983) – известный прогрессивный американский учёный и публицист, профессор школы журналистики в городе Бёркли, штат Калифорния (U iversi y of Califor ia a Berkeley's Gradua e School of Jour alism) Бен Б. Багдикян (Be Haig Bagdikia ). Родился в 1920 году в Мараше, в османской империи - современной Турции и имеет богатый опыт журналистской работы. Начав работать в 1941 в качестве репортёра заштатной газетёнки Mor i g U io (Spri gfield, Massachuse s), впоследствии стал ведущим журналистом США, работая в Sa urday Eve i g Pos , Washi g o Pos , For u e, Pos публикуя материалы о гигантах нефтяного бизнеса и получив Пулитцеровскую премию.  | Some Landmarks of Twentieth Century Contract Law Oxford University Press Treitel 1853 руб |  | The Chronicle of Western Costume: From the Ancient World to the Late Twentieth Century Thames&Hudson John P. No student or designer in the performing arts, costume and fashion enthusiast, collector or social historian will want to be without it. 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