The festival created in 1605 by the state and church to commemorate a failed act of Catholic terrorism, now provides an annual raison d' etre for the firework industry and a cause of concern for Britain' s cat owners! Guy Fawkes is amongst the most celebrated figures in English history and Bonfire Night is a remarkably long lived and very English tradition. He uncovers how celebration of the event, and of Guy Fawkes, the one gunpowder plotter everyone remembers, has changed over the centuries. James Sharpe examines the fateful night of 5 November, 1605 and the tangled web of religion and politics which gave rise to the plot. But why every November do we still mark a planned act of treason and terrorism that was defeated 400 years ago? Today, although most of the religious connotations have long been ignored, the bonfires remain.
Remember, Remember the Fifth of November
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Мозаика, 654 элемента. Магнитная мозаика - это набор простейших геометрических фигур разных цветов, который позволяет детям создавать чудесные образы. Ваш796 рубРаздел: Магнитная
Способы выравнивания когнитивного диссонанса в переводе поэтических произведений (на материале...
Любовь – маяк, она, средь бурь тверда, Горит во тьме незыблемо, высоко, Но, хоть плывущим видима звезда, От них сокрыто начертанье рока. У времени любовь – не жалкий шут, Пусть губ и щек соцветье Время скосит, - Нет над любовью власти у минут, Она годам свой приговор выносит.А если я от истины далек – То ни влюбленных нет, ни этих строк. Приложение №5Перевод С.Я Маршака Сонет 116Мешать соединенью двух сердецЯ не намерен. Может ли измена Любви безмерной положить конец? Любовь не знает убыли и тлена.Любовь – над бурей поднятый маяк, Не меркнущий во мраке и тумане. Любовь – звезда, которую моряк Определяет место в океане.Любовь – не кукла жалкая в руках У времени, стирающего розы На пламенных устах и на щеках, И не страшны ей времени угрозы.А если я неправ и лжет мой стих, - То нет любви и нет стихов моих!Приложение №6So e LXXIV Bu be co e ed: whe ha fell arres Wi hou all bail shall carry me away, My life ha h i his li e some i eres , Which for memorial s ill wi h hee shall s ay. Whe hou reviewes his, hou dos review he very par was co secra e o hee: he ear h ca have bu ear h, which is his due; My spiri is hi e, he be er par of me: So he hou has bu los he dregs of life, he prey of worms, my body bei g dead, he coward co ques of a wre ch's k ife, oo base of hee o be remembered. he wor h of ha is ha which i co ai s, A d ha is his, a d his wi h hee remai s.Приложение №7Перевод Б.КушнераСонет 74Но не терзайся, и когда за мной Придут, чтоб взять без лишней канители, Пусть эти строки сохранят живой Ту память, что у нас отнять хотели.
|Remember, Remember Michael O'Mara Parkinson J. |
Concise and authoritative, Remember, Remember makes history interesting and accessible for everyone once again.
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Hercule Poirot stood on the cliff-top.
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She uses her extensive knowledge of antiques and the decorative arts to create finely detailed, inviting rooms that perfectly complement both their architectural setting and their owners' personality. Always looking to the bones of a structure first, Tucker works from the outside in to ensure that a house remains true to the conventions of its style while its functions suit a contemporary lifestyle and sensibility. Superb interior architecture, delicate finishes, and fine furnishings are introduced and layered to form spaces that are balanced, fluid, and comfortable, whether in historically significant properties or modern wine country estates. She brings her perceptive ability to create truly unique, tailored spaces - amassed over years as the protege of the legendary Michael Taylor as well as from her own extensive travels and twenty-three years as a principal of her firm - to each project. She maintains that even the most exquisite pieces of furniture and art can, and should, be arranged throughout a space in an accessible way to serve the needs of the people who inhabit it. This lavishly illustrated presentation showcases Tucker' s diverse and site-specific styles in twenty projects, ranging from formal Mediterranean-style villas to sophisticated city apartments and airy Napa Valley retreats to rustic mountainside houses.
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When twenty-eight-year-old Lexi Smart wakes up in a London hospital, she' s in for a big surprise. Her teeth are perfect. Her body is toned. Her handbag is Vuitton. Having survived a car accident - in a Mercedes no less - Lexi has lost a big chunk of her memory, three years to be exact, and she' s about to find out just how much things have changed.
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Cathy meets the children' s father, and their grandmother, and their aunt. She meets Nick, the farmer who lives across the fields. But she doesn' t meet Miranda, the children' s mother, because Miranda is dead. She died two years ago, and Cathy cannot learn anything about her. Everybody remembers Miranda, but nobody wants to talk about her. . . Cathy Wilson is driving to Norfolk, to begin her new job with the Harvey family. She is going to look after the two young children, Tim and Susan.
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