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Экономическая теория

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Экономическая теория
Наименование:

Kultur, Wahrnehmung und Gewaltdarstellung im japanischen Film. Eine experimentelle Untersuchung der kulturspezifischen Wahrnehmungsweisen am Beispiel des Films 'Audition'

Формат:      Страниц 272
     мягкая обложка
Издательство:
Книга по Требованию    
Год:2008
Цена:
3234 руб
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Dieser wechselseitige Vorwurf laesst sich jedoch rein rechnerisch nicht halten. Auch zeigen sich interessante, neue Ergebnisse in Bezug auf die Gewaltrezeptionsforschung. In dieser Arbeit wird der kulturspezifischen Wahrnehmung, dem Einfluss des Filmkontexts auf die Wahrnehmung sowie einer fremden Art von Gewaltdarstellung nachgegangen. Das Buch richtet sich an Kommunikations-, Japan- und Filmwissenschaftler sowie an Filminteressierte, die mehr als nur einen "gewalthaltigen japanischen Film" sehen wollen. Und wie wirken im Vergleich zu Japanern japanische Gewaltdarstellungen auf uns? Anhand eines Experiments, das in der Schweiz und in Japan durchgefuehrt wurde, zeigt die Verfasserin am Beispiel des Films "Audition", dass es kulturelle Unterschiede in der Wahrnehmung von japanischen Gewaltdarstellungen im Film gibt - allerdings nicht immer in die vermutete Richtung. Doch warum nehmen wir Europaeer dies so wahr? Der zeitgenoessische japanische Film praegt zur Zeit die europaeische Kinolandschaft und es erscheinen sogar amerikanische Remakes von japanischen Filmen, wie "The Ring". Aufgrund dieser Entwicklung werfen sich Europaeer und Japaner gegenseitig die Gewalthaltigkeit ihrer Filme vor.
Доска пробковая, с деревянной рамой, 60x45 см.
Доска выполнена из пробки высокого качества, имеет регулируемые элементы крепления. Информация крепится при помощи флажков, кнопок или
547 руб
Раздел: Демонстрационные рамки, планшеты, таблички
Канистра-бочка, пластиковая, 25 л.
Канистра-бочка изготовлена из HDPE (полиэтилен с высокой плотностью), для холодных пищевых продуктов, с двумя ручками для переноса и
449 руб
Раздел: Баки, канистры
Фоторамка "Poster lux silver" (40х50 см).
Рамка настенная может располагаться как вертикально, так и горизонтально. Для фотографий размером: 40х50 см. Материал: пластик + стекло.
343 руб
Раздел: Размер 40x50

Обучение культуре речи школьников старших классов
Так, с этой точки зрения обычно выделяют три лексических пласта в зависимости от заключенной в слове экспрессии: лексику пониженной экспрессии, лексику повышенной экспрессии и нейтральную, причем «точкой отсчета» по этой шкале экспрессивности является нейтральная, т.е. лишенная экспрессивной окраски лексика . Например, при сопоставлении стилистически соотнесенных слов штудировать - изучать - зубрить отчетливо выделяется экспрессивный характер двух крайних членов этого ряда и нейтральный характер среднего. На синтаксическом уровне также выделяются конструкции, несущие эмоционально-экспрессивную оценку, что проявляется особенно ярко при сопоставлении их с нейтральными конструкциями, например: I have ever see such a film. ever have I see such a film. Функция эмфатического элемента во втором примере - эмоциональная интенсификация высказывания. В английском языке существует целый ряд синтаксических конструкций, имеющих эмоционально-экспрессивную окраску, которые используются с этой целью, например: Не is a bru e of a ma , is Joh .


Film im Zeitalter der DVD. Zum Einfluss des digitalen Datentraegers auf Produktion, Vermarktung und Wahrnehmung von Spielfilmen Книга по Требованию
Der Autor untersucht hierzu umfassend die Aspekte Filmoekonomie, Filmproduktion und Filmrezeption, um die Ergebnisse anschliessend in einer detaillierten Analyse unterschiedlicher DVD-Umsetzungen zu veranschaulichen.
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And in the immortal Commander James Bond he introduced the ultimate secret agent – suave, chillingly ruthless and licensed to kill. ‘It’s not difficult to get a Double O number if you’re prepared to kill people’ Bond is sent to a casino in Royale-les-Eaux to disgrace the lethal Russian agent ‘Le Chiffre’ by ruining him at baccarat and forcing his Soviet spymasters to ‘retire’ him, where he soon finds that his quarry is not content to go without a fight.
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From "Metropolis" to "Godzilla" and from "Invaders from Mars" to "Star Wars", science fiction movies have peopled our universe, and others, with some of the studios' coolest creations - including a vast range of aliens, robots, bug-eyed monsters and spaceships. Considering the visual richness of the subject matter, it is no wonder that successive generations of the most talented illustrators, painters, art directors and designers, all with imagination to spare, have signed on to produce posters for science fiction films. Their creations not only provide us with a record of how they and their contemporaries saw the future, they also serve as a visual running commentary on all that has happened in graphic design since Lumiere invented motion pictures. The images in this book, representing the creme de la creme of science fiction posters from artists in different countries and cultures, show what has been luring audiences into the cinema from 1902 to the present day. With its unique ability to bring our wildest fantasies to life, the cinema has done more than any other medium to popularize the science fiction genre throughout the world.
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