Bird College of Dance, Music
|Формат:|| Страниц 100|
Книга по Требованию
Приемы комического в языке произведений П.Г....
He se me here o have a look a he hi g. So dig i ou , will you? I expec i ’s ro e .’ Начиная с высокого поэтического “Lear , O , hou” герой переходит на нейтральный стиль (“He se me here ”) и заканчивает разговорным “so dig i ou ”. Вот еще один из типичных примеров столкновения стилей у Вудхауза. A he sigh of his despec acled bird, a pa g of compassio sho hrough me, for a gla ce was e ough o ell me ha he was o abres of s op-press eve . here were visible i his deme our o e of he earmarks of a ma o whom S iffy had bee co fidi g her pla s. His beari g was buoya , a d I excha ged a swif , mea i g gla ce wi h Jeeves. Mi e said ‘He li le k ows!’ a d so did his. В этом небольшом отрывке мы имеем: высокое книжное слово в сочетании со сленгом - despec acled bird; литературное фразеологическое выражение - a pa g of compassio ; термин из газетного бизнеса - s op-press eve ; американизм – demea our; поэтическую инверсию – ‘He li le k ows’. Совмещение нейтральной речи со сленгом наибольшей выразительности достигает у Вудхауза, когда он употребляет жаргонное слово вместо одного из компонентов устойчивого выражения.
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