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Наименование:

A faith that enquires

Формат:
     мягкая обложка
Автор:
Jones H.    
Издательство:
Книга по Требованию    
Год:2010
Цена:
955 руб
Количество
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Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по восстановлению первоначального качества издания, на некоторых страницах могут обнаружиться небольшие "огрехи": помарки, кляксы и т.п.
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The struggle betwee\ n Meisso\ nier a\ nd Ma\ net to see their pai\ nti\ ngs achieve pride of place at the Salo\ n was \ not just about artistic competitive\ ness, it was about how to see the world. Full of fa\ ntastic tidbits of i\ nformatio\ n (such as the use of carrier pigeo\ ns a\ nd hot-air balloo\ ns duri\ ng the siege of Paris), a\ nd a colourful cast of characters that i\ ncludes Baudelaire, Courbet, a\ nd Zola, with walk-o\ n parts for Mo\ net, Re\ noir, Degas, a\ nd Ceza\ n\ ne, The Judgme\ nt of Paris casts \ new light o\ n the birth of Impressio\ nism a\ nd takes us to the heart of a time i\ n which the moder\ n Fre\ nch ide\ ntity was bei\ ng forged. If there were two me\ n who were absolutely ce\ ntral to artistic life i\ n Fra\ nce i\ n the seco\ nd half of the \ ni\ netee\ nth ce\ ntury, they were Edouard Ma\ net a\ nd Er\ nest Meisso\ nier. While the former has bee\ n labelled the Father of Impressio\ nism a\ nd is today a household \ name, the latter has su\ nk i\ nto obscurity. It is difficult \ now to believe that i\ n 1864, whe\ n this story begi\ ns, it was Meisso\ nier who was co\ nsidered the greatest Fre\ nch artist alive a\ nd who received astro\ nomical sums for his work, while Ma\ net was derided for his messy pai\ nti\ ngs of ordi\ nary people a\ nd had great difficulty getti\ ng a\ ny of his work accepted at the all-importa\ nt a\ n\ nual Paris Salo\ n. Ma\ net a\ nd Meisso\ nier were the Mozart a\ nd Salieri of their day, o\ ne a da\ ngerous challe\ nge to the establishme\ nt, the other beloved by rulers a\ nd the public alike for his pai\ nstaki\ ngly meticulous oil pai\ nti\ ngs of historical subjects. Out of the fasci\ nati\ ng story of their parallel careers, Ross Ki\ ng creates a le\ ns through which to view the political te\ nsio\ ns that dogged Louis-\ napoleo\ n duri\ ng the Seco\ nd Empire, his ig\ nomi\ nious dow\ nfall, a\ nd the bloody Paris Commu\ ne of 1871. At the same time, Ki\ ng pai\ nts a wo\ nderfully detailed a\ nd vivid portrait of life i\ n a\ n era of radical social cha\ nge: o\ n the streets of Paris, at the \ new seaside resorts of Boulog\ ne a\ nd Trouville, a\ nd at the race courses a\ nd pic\ nic spots where the \ new bourgeoisie relaxed. Whe\ n Ma\ net pai\ nted Dejeu\ ner sur lherbe or Olympia, he shocked \ not o\ nly with his casual brushstrokes (described by some as applied by a floor mop) but with his subject matter: top-hatted white-collar workers (a\ nd their mistresses) were \ not co\ nsidered suitable subjects for Art. Ross Ki\ ng shows how, be\ nig\ n as they might seem today, these pai\ nti\ ngs cha\ nged the course of history.
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