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Graffiti Paris

Формат:      Страниц 128
     твердый переплет
1108 руб
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As much as London, New York and Los Angeles, Paris has been hijacked by street artists who have transformed public spaces into giant showrooms with their posters, stickers, silk-screens, paintings, mosaics, murals, stencils and photocopies. Photographer and art historian Fabienne Grevy leads a tour of Paris' popular art, exhibited on pavements, stairways, metro stations, abandoned buildings and anywhere else an artist found a patch of open space. The inspirations for these images is as diverse as the artists producing them, and recognizable sources range from the cave paintings at Lascaux to nineteenth-century Japanese blockprints to graphic design to cartoons and comics and even some rather reflexive street art about street art itself.
Развивающая игра "Магнитные истории. В гостях у сказки".
Четыре сказки, четыре смены декораций, четыре комплекта сказочных героев! Настоящий игровой сборник "Русские народные сказки"
470 руб
Раздел: Магнитный театр
Набор школьно-письменных принадлежностей "Для Первоклассника" в подарочной упаковке.
Формат: А4. В наборе: доска для лепки, клей-карандаш, ручка шариковая синяя - 2, карандаш чернографитный - 2, точилка, пластилин, набор
701 руб
Раздел: Наборы канцелярские
Ящик для игрушек "Бегемотик".
Вместительный ящик для хранения игрушек. Изготовлен из высококачественных материалов. Размеры: 39х29х14 см.
502 руб
Раздел: Корзины, контейнеры для игрушек

Notre-Dame de Paris
o re Dame de Paris - мюзикл, покоривший мир (русская версия) Роман Виктор Гюго один из величайших французских писателей 19 века. Он родился в 1802 году и, конечно же, все исторические события, происходившие во Франции в начале века, повлияли на его становление, как человека и как писателя. Наиболее известные произведения Гюго: "Отверженные", "Труженики моря" и "Девяносто третий год". Самый популярный его роман "Собор Парижской Богоматери"-" O RE DAME DE PARIS"-был опубликован в феврале 1831 года. Июльская революция 1830 года всколыхнула всю Францию. Восставший народ сверг власть Бурбонов. На смену дворянам-роялистам пришли представители французской буржуазии. Несомненно, революционным подъемом и самой революцией можно объяснить появление крупнейшего из всех произведений Гюго. Книга принесла писателю всемирную славу. Сюжет, да и все повествование романа типично романтические: необыкновенные герои, действующие в необыкновенных обстоятельствах, случайные встречи, прекрасное и безобразное сосуществуют рядом, любовь и ненависть переплетаются и вступают в борьбу друг с другом.

Offices Propres De L'eglise Collegiale ... De Saint Merry, Suivant Le Nouveau Breviaire De Paris (French Edition) Книга по Требованию Merry P.S.
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The struggle betwee\ n Meisso\ nier a\ nd Ma\ net to see their pai\ nti\ ngs achieve pride of place at the Salo\ n was \ not just about artistic competitive\ ness, it was about how to see the world. Full of fa\ ntastic tidbits of i\ nformatio\ n (such as the use of carrier pigeo\ ns a\ nd hot-air balloo\ ns duri\ ng the siege of Paris), a\ nd a colourful cast of characters that i\ ncludes Baudelaire, Courbet, a\ nd Zola, with walk-o\ n parts for Mo\ net, Re\ noir, Degas, a\ nd Ceza\ n\ ne, The Judgme\ nt of Paris casts \ new light o\ n the birth of Impressio\ nism a\ nd takes us to the heart of a time i\ n which the moder\ n Fre\ nch ide\ ntity was bei\ ng forged. If there were two me\ n who were absolutely ce\ ntral to artistic life i\ n Fra\ nce i\ n the seco\ nd half of the \ ni\ netee\ nth ce\ ntury, they were Edouard Ma\ net a\ nd Er\ nest Meisso\ nier. While the former has bee\ n labelled the Father of Impressio\ nism a\ nd is today a household \ name, the latter has su\ nk i\ nto obscurity. It is difficult \ now to believe that i\ n 1864, whe\ n this story begi\ ns, it was Meisso\ nier who was co\ nsidered the greatest Fre\ nch artist alive a\ nd who received astro\ nomical sums for his work, while Ma\ net was derided for his messy pai\ nti\ ngs of ordi\ nary people a\ nd had great difficulty getti\ ng a\ ny of his work accepted at the all-importa\ nt a\ n\ nual Paris Salo\ n. Ma\ net a\ nd Meisso\ nier were the Mozart a\ nd Salieri of their day, o\ ne a da\ ngerous challe\ nge to the establishme\ nt, the other beloved by rulers a\ nd the public alike for his pai\ nstaki\ ngly meticulous oil pai\ nti\ ngs of historical subjects. Out of the fasci\ nati\ ng story of their parallel careers, Ross Ki\ ng creates a le\ ns through which to view the political te\ nsio\ ns that dogged Louis-\ napoleo\ n duri\ ng the Seco\ nd Empire, his ig\ nomi\ nious dow\ nfall, a\ nd the bloody Paris Commu\ ne of 1871. At the same time, Ki\ ng pai\ nts a wo\ nderfully detailed a\ nd vivid portrait of life i\ n a\ n era of radical social cha\ nge: o\ n the streets of Paris, at the \ new seaside resorts of Boulog\ ne a\ nd Trouville, a\ nd at the race courses a\ nd pic\ nic spots where the \ new bourgeoisie relaxed. Whe\ n Ma\ net pai\ nted Dejeu\ ner sur lherbe or Olympia, he shocked \ not o\ nly with his casual brushstrokes (described by some as applied by a floor mop) but with his subject matter: top-hatted white-collar workers (a\ nd their mistresses) were \ not co\ nsidered suitable subjects for Art. Ross Ki\ ng shows how, be\ nig\ n as they might seem today, these pai\ nti\ ngs cha\ nged the course of history.
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